Vandals

Vandalic goldfoil jewellery from the 3rd or 4th century
A 16th century perception of the Vandals, illustrated in the manuscript "Théâtre de tous les peuples et nations de la terre avec leurs habits et ornemens divers, tant anciens que modernes, diligemment depeints au naturel" which means "Theater of all the peoples and nations of the earth with their various clothes and ornaments, both ancient and modern, diligently depicted in nature". Painted by Lucas de Heere in the second half of the 16th century and preserved in the Ghent University Library.[1]

The Vandals were a Germanic people who first inhabited what is now southern Poland. They established Vandal kingdoms on the Iberian Peninsula, Mediterranean islands, and North Africa in the fifth century.[2]

The Vandals migrated to the area between the lower Oder and Vistula rivers in the second century BC and settled in Silesia from around 120 BC.[3][4][5] They are associated with the Przeworsk culture and were possibly the same people as the Lugii. Expanding into Dacia during the Marcomannic Wars and to Pannonia during the Crisis of the Third Century, the Vandals were confined to Pannonia by the Goths around 330 AD, where they received permission to settle from Constantine the Great. Around 400, raids by the Huns from the east forced many Germanic tribes to migrate west into the territory of the Roman Empire and, fearing that they might be targeted next, the Vandals were also pushed westwards, crossing the Rhine into Gaul along with other tribes in 406.[6] In 409, the Vandals crossed the Pyrenees into the Iberian Peninsula, where the Hasdingi and the Silingi settled in Gallaecia (northwest Iberia) and Baetica (south-central Iberia).

On the orders of the Romans, the Visigoths invaded Iberia in 418. They almost wiped out the Alans and Silingi Vandals who voluntarily subjected themselves to the rule of Hasdingian leader Gunderic. Gunderic was then pushed from Gallaecia to Baetica by a Roman-Suebi coalition in 419. In 429, under king Genseric (reigned 428–477), the Vandals entered North Africa. By 439 they established a kingdom which included the Roman province of Africa as well as Sicily, Corsica, Sardinia, Malta and the Balearic Islands. They fended off several Roman attempts to recapture the African province, and sacked the city of Rome in 455. Their kingdom collapsed in the Vandalic War of 533–34, in which Emperor Justinian I's forces reconquered the province for the Eastern Roman Empire.

As the Vandals plundered Rome for fourteen days,[7] Renaissance and early-modern writers characterized the Vandals as prototypical barbarians. This led to the use of the term "vandalism" to describe any pointless destruction, particularly the "barbarian" defacing of artwork. However, some modern historians have emphasised the role of Vandals as continuators of aspects of Roman culture, in the transitional period from Late Antiquity to the Early Middle Ages.[8]

  1. ^ "Théâtre de tous les peuples et nations de la terre avec leurs habits et ornemens divers, tant anciens que modernes, diligemment depeints au naturel par Luc Dheere peintre et sculpteur Gantois[manuscript]". lib.ugent.be. Retrieved 2020-08-25.
  2. ^ "Vandal". Encyclopædia Britannica Online. Encyclopædia Britannica, Inc. Retrieved 8 March 2014.
  3. ^ "Germanic peoples". Encyclopædia Britannica Online. Encyclopædia Britannica, Inc. Retrieved 6 January 2024.
  4. ^ "History of Europe: Barbarian migrations and invasions: The Germans and Huns". Encyclopædia Britannica Online. Encyclopædia Britannica, Inc. Archived from the original on 2014-07-14. Retrieved 8 March 2014.
  5. ^ Waldman & Mason 2006, pp. 821–825
  6. ^ Brian, Adam. "History of the Vandals". Roman Empire. Archived from the original on June 23, 2017. Retrieved May 21, 2017.
  7. ^ Heather 2005, pp. 379
  8. ^ Contrasting articles in Frank M. Clover and R.S. Humphreys, eds, Tradition and Innovation in Late Antiquity (University of Wisconsin Press) 1989, highlight the Vandals' role as continuators: Frank Clover stresses continuities in North African Roman mosaics and coinage and literature, whereas Averil Cameron, drawing upon archaeology, documents how swift were the social, religious and linguistic changes once the area was conquered by Byzantium and then by Islam.